• 4 x 1250 W nominal output power for a total of 5000 W
• Any channel is capable of delivering up to 2000 W power output, from total available power
• 2U chassis weighing only 11.4 kg
• Four ‘Lake Class’ analog inputs with Iso-Float™ ground isolation
• Two AES3 on XLR digital inputs (4 audio channels)
• Eight dual-redundant Dante network audio inputs and outputs
• Compatible with PLM, Lake, LM Series and D Series
• Rational Power Management (RPM) – Flexible power output allocation across channels of the CB-5K44 model to match requirements, enabling more efficient use of amplifier inventory
• Rugged – road tested construction
• Unique universal, Regulated Switch-Mode Power Supply (R.SMPS™) maintains stability despite mains voltage fluctuations
• Best-in-class Power Factor Correction (PFC) helps maintain full output during extended power bursts
• Current Draw Modelling (CDM™) reduces mains peak draw
• Breaker Emulation Limiter (BEL™) – Tailors CB-PLM+ Series to the available mains distribution
• Under-Voltage Limiting (UVL) enables continued operation with mains voltage sags as low as 65V
• Power Average Limiter (PAL) with software-controlled Breaker Emulation Limiter (BEL) prevents mains fuse tripping
• Amplifier Design: Class D output stage
• Digitally controlled and recallable ‘amplifier gain’ adjustable in 0.1 dB steps
• Digital output attenuation in 0.25 dB steps from -inf to 0 dB
• Digitally implemented, zero-overshoot Inter-Sample Voltage Peak Limiting (ISVPL) adjustable in 0.1 V steps from 17.8 to 150 V
• LoadSmart load verification
• Extensive loudspeaker preset database (LoadLibrary™)
• LoadPilot™, Dual Pilot tone Generating and Monitoring
• CAFÉ Integration
• Dante low-latency digital network included as standard
• Full support for Dante Controller
• Lake’s exclusive classic/linear-phase/FIR speaker processing platform with four throughputs
• Group control with Raised Cosine™ MESA EQ™ asymmetric filters
• LimiterMax™ peak and RMS limiters
• Comprehensive clocking management system with low latency sample rate conversion
• Multiple and redundant inputs with programmable fallover
• Primary and secondary network connections
• High-resolution daylight viewable front-panel LCD display
• Moisture resistant silicone touchpad for front-panel display mode selection and menu navigation

General Description

The CB-PLM+ range sets the benchmark for Powered Loudspeaker Management Systems. CB-PLM+ combines four channels of amplification with unrivalled signal processing and audio management, allowing complete integration in the devices and offering many unique functions not found in other amplifier and DSP “combined” platforms.

CB-PLM+ has been designed with total integration at the core of the system, allowing complete control and monitoring of the whole platform ecosystem – including networking, audio I/O, signal processing, amplifiers, power supply and connected mains supply – delivering unique operational benefits and system control for the user via Lake Controller, CAFÉ and Third Party Protocol integration.

Building on the TEC Award winning PLM 20000Q, CB-PLM+ offers 4 x 1250 Watts output power [CB-PLM5K44], twice the processing power and throughput, and a whole host of additional features and improvements designed to offer real world benefits. CB-PLM+ makes any production life cycle easier to specify, smoother to run, more efficient to control and monitor – at the system design stage, during the show, and right through to final load out. Proven at all levels of concert touring, the CB-PLM+ series incorporates road tested and environmentally conscious technologies.

The CB-PLM5K44 offers a touring technology first: Rational Power Management (RPM™), a new proprietary Lab.gruppen innovation that rationalises power allocation between channels to optimise performance and potentially minimise amplifier inventory.

As with previous generations of PLM, the new CBPLM+ models benefit from the proven package of onboard Lake Processing and Dante™ digital audio networking, plus redundant audio inputs as well as onboard load monitoring to fulfill the requirements of mission-critical live sound applications, where the show must go on, no matter what.